Set in a historic 18th century home and its surrounding fields, it is a quiet journey between two women, accompanied by the rich soundscapes of musicians Vicki Brown and Mona Chambers. It is for the wanderers of the fields who dwell in sadness, loss, and flight. And it is for those who are drowning, both inside and out. 

"Scene: Wheat field. A face, a frown in the eyebrows. A pocketful of dirt. Hand. A toy giraffe. Wooden chair in the wheat field. The kind of rocking that is grief. Scene: In a gorgeously dilapidated farmhouse, a fully-dressed woman in a bathtub. Fingers dripping water. The lining up of boots, the re-placement of boots. Something not right. She rolls across the floor—this, too, a grief. Scene: The two women partner each other in a light-filled room. A century of peeling paint. Sisters, I think. Best friends. The setting insists on story, and they are not lovers. Anger, comfort, a sadness made claustrophobic by the circling camera. As the woman from the wheat smears the bathing woman with dirt, I think loss—of child or childhood. The toy giraffe."

KIRSTEN KASCHOCK, THINKING DANCE